Yeah, well if world started mass-jumping turn off of buildings, the doesn"t mean I"d perform it.
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All hoax aside, my allude is that civilization pronounce native differently depending upon where friend live. "Vietnom" versus "Vietnam", "fahr" (one syllable) versus "fire" (fy-yer).
I"m type of conflicted about even asking this question, because it"s miscellaneous I require to know for a poem. Yet in city it can be it s okay to bend/break rules, even if it is it be slightly an altering the enunciation or pronunciation of a word, or not utilizing capitalization in the case of haiku, etc.
Still, tl;dr, ns was just curious what people on below thought.
If it"s only two syllables, why? If "ever" is a 2 syllable word--why wouldn"t it it is in ev-er-ee?
What would make "ev-er-ee" wrong? some old dominance in a dusty tome hidden by the sands of time?
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The indigenous every began out together a contraction of Old snucongo.org ǽfre ǽlc (each the a group), and also the OED gives countless Middle snucongo.org spellings, such as efrec, i m sorry only show two syllables. Others, such as æveric, do show three. It"s difficult to tell whether they yes, really pronounced the with 3 syllables, or whether they were spelling the so as to show the relationship to the word ever.
If you look in ~ Shakespeare"s sonnets, he invariably pronounces every through two syllables. Because that example, in
Yet therefore they mourn, ending up being of your woe, the every tongue claims beauty need to look so,
if you express every with 3 syllables, the line doesn"t scan.
The two-syllable pronunciation has existed due to the fact that Middle snucongo.org. Human being who pronounce it evry aren"t wrong in any kind of sense.
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So come answer her question: If it"s just two syllables, why?Because some human being have to be pronouncing it through two syllables native the time as soon as they shoved the two words ǽfre ǽlc together to acquire efrec.
The OED offers both the two-syllable and the three-syllable pronunciations, and I certainly think it"s acceptable to use either joint in a poem.