On the surface, “Two Tramps in dirt Time” seems to display screen Robert Frost’s narrow individualism. The poem, upon an initial reading it, appears incongruent, with some of the stanzas having no apparent connection come the totality poem. The city as a whole likewise does not appear to have a single definable theme.

At one point, the narrator seems wholly narcissistic and also then transforms to the power and beauty the nature. That is, however, in the final 3rd of the poem whereby the narrator expose his true thoughts to the reader, bringing resolution come the city as a single entity, not simply a disharmonious collection of words.




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At the outset of the poem, the narrator gives a very superficial view of himself, virtually seeming angered as soon as one of the tramps interferes with his lumber chopping: “one the them placed me off my aim”.

This statement, along with many others, appears to focus on “me” or “my”, describe the evident selfishness and also arrogance that the narrator: “The blows the a life of self-control/Spares to strike because that the typical good/That day, offering a loosened to mine soul,/I invested on the not important wood.”

The narrator refers to releasing his suppressed anger not upon malice that threaten “the usual good”, but upon the “unimportant wood”. The noticeable arrogance that the narrator is revealed as well by his reference to himself as a Herculean number standing not alongside nature, however over it: “The fixed on earth of outspread feet,/The life of muscle rocking soft/And smooth and also moist in vernal heat.”

Unexpectedly, the narrator then turns towards nature, supposedly abandoning his early stage train that thought. The reveals the unpredictability that nature, saying that also in the middle of spring, it can be “two months earlier in the middle of March.” even the fauna that the soil is connected with this chicanery; the arrival of the bluebird would certainly to most show the arrival of spring, however “he wouldn’t advise a thing to blossom.”


The narrator points to the conclusion that, when on the surface, things show up to be one thing, there is constantly something concealed below, lot like “The lurking frost in the earth beneath…” In the last three stanzas of the poem, the “frost” in ~ the narrator concerns the surface. The humility of the narrator pertains to light, with the narrator saying the the tramps’ right to chop hardwood for a living “was the far better right–agreed.”

The narrator also says, “Except as a fellow handled one ax,/They had actually no means of learning a fool,” insomuch as admitting come his foolishness. On the surface, the poem appears to be two poems through diverging themes. However, Robert Frost guides their two reportedly unrelated thoughts right into one idea indigenous the heart: “My object in life is come unite/My avocation and my vocation/As my 2 eyes do one in sight.” probably the narrator is the true Frost coming to the surface.


Cite this article as: william Anderson (snucongo.org Editorial Team), "Robert Frost’s two Tramps in mud Time”: Analysis," in snucongo.org, 2019, https://snucongo.org/robert-frosts-two-tramps-in-mud-time-analysis/.

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Author:William Anderson (snucongo.org Editorial Team) https://snucongo.org/